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    <loc>https://www.amandalculp.com/home</loc>
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    <lastmod>2019-07-19</lastmod>
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      <image:title>Home - Our Practice</image:title>
      <image:caption>Description text. Proin gravida ex id consectetur lobortis. Aliquam ornare, velit vel faucibus dapibus, augue justo ullamcorper turpis.</image:caption>
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      <image:title>Home - A Top 10 Service</image:title>
      <image:caption>Here is a description of what makes your company unique. Pellentesque habitant ulcit mori netus et malesuada netus et malesuada.</image:caption>
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      <image:title>Home</image:title>
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  <url>
    <loc>https://www.amandalculp.com/home-1</loc>
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    <priority>1.0</priority>
    <lastmod>2019-10-02</lastmod>
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      <image:title>Home - Model of a Pre-Modern Stage</image:title>
      <image:caption>This model of a stage, as described in the Natyashastra, is housed at the Sangeet Natak Akademi in New Delhi. Photo taken during field research (2015).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566077925905-CW21IJN2JFA9CVCSKJST/IMG_0894.JPG</image:loc>
      <image:title>Home - Mahakavi Kalidasa and Meghaduta</image:title>
      <image:caption>Kalidasa, the celebrated poet behind Shakuntala, is believed to have lived in the ancient city of Ujjayini, now know as Ujjain. This statue, housed at the Kalidasa Akademi in Ujjain, features the poet with a rain-cloud, the subject (and title) of his lyric poem the Meghaduta. Photo taken during field work (2015).</image:caption>
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    <image:image>
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      <image:title>Home - Dr. Culp at the tomb of Sir William Jones</image:title>
      <image:caption>Sir William Jones, who first translated Shakuntala into English, is buried in South Park Street Cemetery, in present-day Kolkata. I visited his tomb while doing field research in 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566078365579-74D6E8WMP391DIGNZWNY/IMG_3455.JPG</image:loc>
      <image:title>Home - Odin Teatret Archives</image:title>
      <image:caption>Eugenio Barba, artistic director of Odin Teatret and founder of the International School of Theatre Anthropology, is also a master archivist. I spent a week in this meticulously curated room in Holstebro, Denmark in 2016 doing research on the company’s work with Shakuntala in the early 1990s.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566077923614-3N4VBYJDISKSFUQMII3Y/IMG_0646.JPG</image:loc>
      <image:title>Home - Kathakali Visage</image:title>
      <image:caption>Hanging on a wall on the walkway to the Meghdoot Theatre at the Sangeet Natak Akademi in New Delhi, this sculpture captures the whimsy and precision of a Kathakali performer’s artistry and expression. Photo taken during field research (2015).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566078223882-8UHKBPW4FVOT18EVAO2J/IMG_2124.JPG</image:loc>
      <image:title>Home - Sir William Jones' Manuscript of Shakuntala</image:title>
      <image:caption>This manuscript, held at the Bodleian Library, of University of Oxford, was prepared for Sir William Jones in Calcutta in 1787. It includes a full preliminary translation of Shakuntala into English in the back, as well as meticulous line-by-line translations of Sanskrit to Latin to English. Photograph taken during field work (2016).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566078362691-UNWZGMTCJB31XB697FAB/IMG_2717.JPG</image:loc>
      <image:title>Home - The Richelieu Library</image:title>
      <image:caption>The Richelieu Library at the Bibliothèque nationale de France houses the library’s theater and music collections, including ephemera from Aurélien Lugné-Poe’s 1895 production of Shakuntala in Paris. Photograph taken during field work (2016).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566081397833-HGBPJ7W46SBJ6C1J2EXQ/IMG_1684.JPG</image:loc>
      <image:title>Home - Athena and the Furies</image:title>
      <image:caption>While working at Ninasam Theatre in Karnataka, I had the good fortune to see The Oresteia, performed in Kannada and in Yakshagana style, by Ninasam’s amateur theatre troupe. Photograph taken during field work (2016).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566078363471-XJ0TE98DPYTELCG68P9X/IMG_3148.JPG</image:loc>
      <image:title>Home - Grotowski Institute</image:title>
      <image:caption>Not only is Wroclaw, Poland a delightful town to spend a few days, it is also home to the Grotowski Institute and Archives, where I spent three days learning everything I could about the great director’s famous 1960 production of Shakuntala. Photograph taken during field work (2016).</image:caption>
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      <image:title>Home - Dr. Culp at Anandamayi Ghat</image:title>
      <image:caption>While in Varanasi to visit Sanskrit scholar and director Kamalesh Dutt Tripathi, I took a morning off for a boat ride on the Ganga. Photograph taken during field work (2015).</image:caption>
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      <image:title>Home - The Agnipravesankam</image:title>
      <image:caption>Act Seven of Shaktibhadra’s Ashcaryacudamini, the Agnipraveshankam is a staple of the traditionally Kudiyattam repertoire, and features a rarely seen bharatavakyam. This production was performed by Nepathya in Moozhikkulam, Kerala, in 2018.</image:caption>
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      <image:title>Home</image:title>
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  <url>
    <loc>https://www.amandalculp.com/about</loc>
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    <priority>0.75</priority>
    <lastmod>2024-02-18</lastmod>
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      <image:title>About</image:title>
      <image:caption>Saptamatrika Statues. Mamallapuram, Tamil Nadu. 2016.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.amandalculp.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-30</lastmod>
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      <image:title>Contact</image:title>
      <image:caption>Dr. Culp consulting Sir William Jones’ manuscript of Shakuntala at the Bodleian Library, Oxford University, March 2016.</image:caption>
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  <url>
    <loc>https://www.amandalculp.com/scholarship</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566268579122-PM3PSYIWZ7XJGQOQ7R2D/1867+Bombay+Advertisemet+Bombay+Gazette+2.jpg</image:loc>
      <image:title>Scholarship - Shakuntala or the Lost Ring</image:title>
      <image:caption>Advertisement for the Kalidasa Elphinstone Society’s production of Shakuntala in the Bombay Gazette, 1867. Photograph taken during field research.</image:caption>
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      <image:title>Scholarship - Shakuntala, Act V</image:title>
      <image:caption>Performed at the annal Kalidasa Samaroh (Kalidasa Theater Festival) at the Kalidasa Akadmi in Ujjain. Photograph taken during field research (2015).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1567038703992-CUPS5QFAF9L7DV1KHNQ1/23+Shakuntala+Mount+Tam+1914.jpg</image:loc>
      <image:title>Scholarship - Publicity Image for Shakuntala</image:title>
      <image:caption>Performed on Mt. Tamalpais in Marin County, California (1914). This production was the second ever performance of the”mountain play,” an annual outdoor theatrical event on Mt Tam that continues to this day. Image courtesy of the Marin Free Library.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1567038717278-01IXVKMXE2Z6QIZCV97V/32+Raja+Ravi+Varma+Shakuntala.jpg</image:loc>
      <image:title>Scholarship - "Shakuntala"</image:title>
      <image:caption>One of the most recognizable artistic interpretations of Kalidasa’s drama, this painting by Raja Ravi Varma, (1870) depicts a moment at the end of Act 1, where Shakuntala feigns having a thorn in her foot so that she can steal one final glance at Dushyanta.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566268861743-H35AM06SZPM5EGQ7EDNO/24+Shakuntala+Mt+Tam+1914+photo+%28Marin+Free+Library%29.jpg</image:loc>
      <image:title>Scholarship - "Shakuntala"</image:title>
      <image:caption>Still from the Mountain Play on Mt. Tamalpais, (May 17, 1914). Image courtesy of the Marin Free Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566268872484-MGKU6PNPB1CWWFPFM8RE/33+1961+Sanskrit+Ranga+RRV.jpg</image:loc>
      <image:title>Scholarship - "Shakuntala"</image:title>
      <image:caption>Directed by V. Raghavan for Samskrita Ranga (1961), perhaps an echo of Raja Ravi Varma’s famous painting.</image:caption>
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      <image:title>Scholarship - "Shakuntala"</image:title>
      <image:caption>Directed by Vijaya Mehta, this production of Shakuntala was performed in Marathi (1979), German (1980) and Hindi (1985).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1565917037939-IA8BB0HBRW9I8CP4ROXW/Screen%2525252BShot%2525252B2019-07-23%2525252Bat%2525252B6.10.29%2525252BPM.jpg</image:loc>
      <image:title>Scholarship</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563931793484-ZY0TDMMAEMRA6QA1I5BS/IMG_7354.jpg</image:loc>
      <image:title>Scholarship</image:title>
      <image:caption>Dr. Culp presenting at the 46th Annual Conference on South Asia in 2017.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563930678947-FL7C3YHL3AA6F5HP7NGN/IMG_5580.jpg</image:loc>
      <image:title>Scholarship</image:title>
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  <url>
    <loc>https://www.amandalculp.com/dramaturgy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563926726011-QM5DDNH3DHJ0Q6ALS385/SakharamBinder+1.jpg</image:loc>
      <image:title>Dramaturgy</image:title>
      <image:caption>Sakharam Binder, by Vijay Tendulkar Directed by Nikhil Mehta, 3-Legged Dog Art and Technology Centre, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563927255188-2PHLTI0LA32ZBTSUU8XA/Shakuntala%2BProject%2B1.jpg</image:loc>
      <image:title>Dramaturgy</image:title>
      <image:caption>The Shakuntala Project, written and directed by Nikhil Mehta Black Box Okhla, New Delhi</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563927344990-6K6JP8WD1FDGT2IBPESS/Shakuntala%2BProject%2B3.jpg</image:loc>
      <image:title>Dramaturgy</image:title>
      <image:caption>Night after night, confined within the four walls of an apartment, a Man and Woman re-live Kalidasa’s Shakuntala. Uprooting their existence as they frantically strive for something better, something different – do they succeed?</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563926998695-PVAL03LQGSR9TSF401BD/liberate+2.jpg</image:loc>
      <image:title>Dramaturgy</image:title>
      <image:caption>Zumba. Wine. Take­out. Porn. In the quest for personal and sexual empowerment, the Sister Support Group for the Daily Trials of Being a Woman tackles them all. But acts of feminist revolt rarely go unpunished, and the women find themselves caught up in something much bigger than their own liberation.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563926866815-NS5SKHRLEHYO0H97RAEB/liberated+1.jpg</image:loc>
      <image:title>Dramaturgy</image:title>
      <image:caption>#Liberated conceived and scripted by Lillian Meredith directed by Rachel Karp and Jaki Bradley created by The Living Room: Jaki Bradley, Amanda Culp, Zoe Sophia Garcia, Rachel Karp, Marianna McClellan, Lillian Meredith, Maggie Raymond, Gabby Sherba</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563926983732-KBYKJUYEK5GR6C9B614U/Screen%2BShot%2B2019-07-23%2Bat%2B5.02.56%2BPM.jpg</image:loc>
      <image:title>Dramaturgy</image:title>
      <image:caption>ArsNova ANT Festival, NYC, 2015 IRT Theatre 3B Development Series, NYC, 2016</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1563926817902-SR7QVFPRSK77SH2MMG00/SakharamBinder2.jpg</image:loc>
      <image:title>Dramaturgy</image:title>
      <image:caption>Vijay Tendulkarʼs frightening masterpiece, Sakharam Binder, is the story of a bookbinder who, standing by his own subversive moral code, gives shelter to castoff and homeless women expecting servitude and sexual favors in exchange. This modern Indian classic, originally banned in the subcontinent and rarely seen in the United States, depicts a violent struggle between the sexes as desires and hopes succumb to the weight of a disillusioned people promised equality by Independence. Sakharam Binder is a testament to the invincible strength we muster in the face of unthinkable adversity, and the ferocity with which we fight for a better life.</image:caption>
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  <url>
    <loc>https://www.amandalculp.com/coursesofnote</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/01541438-6486-45ca-827e-07bb52a1dc8b/dramaturg.jpeg</image:loc>
      <image:title>Courses of Note - Make it stand out</image:title>
      <image:caption>Cartoon by Victoria Roberts</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566082405349-12CFKS6QSVWXZSARTSN0/IMG_1981.jpg</image:loc>
      <image:title>Courses of Note</image:title>
      <image:caption>Battlefield, by Peter Brook at NCPA in Mumbai (2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566080679869-YPFAP7RZRPCFNJD76K18/IMG_3097.JPG</image:loc>
      <image:title>Courses of Note</image:title>
      <image:caption>Berliner Ensemble, Berlin (2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1566080614895-WSVYM4TS76OIA78L6CX0/IMG_4073.JPG</image:loc>
      <image:title>Courses of Note</image:title>
      <image:caption>Theater of Dionysus, Athens (2009)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/1567107576868-OVUX62JJP6LS3BO95N8K/Hamlet%252525252Bin%252525252BSanskrit.jpg</image:loc>
      <image:title>Courses of Note</image:title>
      <image:caption>Dīnārkarājakumāra-Hemalekham, a Sanskrit version of Hamlet, translated by Sukhamoy Mukherjee, 1971.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d324dd753e1300001b13bfb/33c99375-3af8-433d-946a-92c97fe335b7/Artaud.jpg</image:loc>
      <image:title>Courses of Note - Make it stand out</image:title>
      <image:caption>The Theatre and Its Double by Antonin Artaud, 1938</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.amandalculp.com/read-me-om</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-09</lastmod>
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      <image:title>Read Me</image:title>
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      <image:title>Read Me</image:title>
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      <image:title>Read Me</image:title>
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    <loc>https://www.amandalculp.com/classes-alt-om</loc>
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